The Days Are Just Packed

Penguins and kangaroos and emus and fans

Wed, 01 Sep 2010 04:48:00 -0700

Right after posting my last entry we headed to the Old Melbourne Gaol (misspelled Goal in some brochures), but on the way we spotted posters for the free exhibitions at the State Library of Victoria, including Ned Kelly's armor (which is what I'd been hoping to see at the Old Gaol). We happened to get the benefit of an amusing pair of docents doing Good Cop/Bad Cop on Ned Kelly for a group of uniformed schoolgirls (though he was a common criminal, neither revolutionary nor Robin Hood, he is considered a folk hero by some Australians).

In the evening we took a tour bus to Phillip Island for the nightly Penguin Parade. This is a highly touristy event but it was recommended to us by our friends Paul and Debbie and we're really glad we went. It was about two hours' drive from Melbourne. You wait in these bleacher-type seats watching the surf as the sun sets, and just as it starts to get dark you see what looks like a whitecap slowly moving up out of the ocean and across the sand. As it gets closer the shimmering white blob resolves into individual birds: tiny one-foot-high penguins waddling as fast as they can across the sand. Once they reach the vegetation line they slow down and stroll as much as a kilometer up into the dunes until they reach their burrows and waiting mates, and you can walk along the boardwalk and follow them. They make a weird cawing trilling racket, and you can hear the tiny pattering sounds of their wet penguin feet on the sand. Yes, we paid good money to see penguins commute. But they were so cute!! Highly recommended.

The next day I got a long black (Americano) from the coffee bar in the hotel lobby and tried the "Tim Tam Slam." The cookie just melted and I dropped it in the coffee. Might have worked better if the coffee hadn't been so hot.

That day we had signed up for a Savannah Walkabout along with Seanan McGuire, two other fans, and four non-fans. The point of this expedition was to view Australian fauna in the wild; if this had been Africa it would have been a safari. We drove out into the boonies (passing through the small town of Little River, after which the band is named, to You Yangs Park and Serendip Park), viewing a billabong (Australian oasis) and many cockatoos, corellas, magpies, gullahs, and other birds along the way. In the park we were joined by a nature guide who had been out spotting koalas for us; she led us to three of them, munching contentedly in their trees. After lunch and the Billy Tea Ceremony (which consists of swinging the billy (kettle) rapidly over your head to settle the sediments) we went off looking for kangaroos and emus. (How to tell the difference between a kangaroo and a wallaby: if you see one by itself and it's less than waist-high it's probably a wallaby; bigger and in mobs are kangaroos. "We're not a mob," said Seanan. "We are respectable business marsupials.") We stalked the wild kangaroo and emu all afternoon, sneaking to within good binocular distance of the kangaroos and closer to the emus. The kangaroos and emus hang around together; the emus, being faster, provide an early warning system for the kangaroos. The 'roos watched us at all times while we were near, and when we got too close (or when, for reasons of their own, they decided to move) they loped gently and silently away. We also saw the skeletonized remains of a 'roo, which Seanan found fascinating (but she did not wish on its paw; probably wise). An exceptional day.

Today we checked out of our pre-con hotel and met up with Murray Moore, Leslie Turek, Pricilla Olsen, Karen Schaffer, Mike Ward, Andy Porter, and others to visit Bruce Gillespie and Elaine Cochrane and their suburban home, cats, garden, and collection of Ditmars. Elaine fixed us a delightful lunch and we spent the middle part of the day smoffing and chatting about fanzines. Then we returned to Melbourne, dragged our bags over to the con hotel, and checked in. The brand-new South Wharf Hilton has a lot of dark wood and glass and feels like the Doug Fir restaurang in Portland. We met George R. R. Martin, Amy Thomson, and John Scalzi in the hotel lobby, and had dinner with Lenore Jones at Cafe Keyif across the river ("on the mainland" says Kate). As we were finishing up dinner, Doug Faunt came in and we chatted with him for a while before returning to our hotel. We didn't manage to get registered at the con but our convention has already begun.

We didn't take this picture but the penguins are that small, that close, and that cute

Jeanine, our guide for the Savanna Walkabout

Took this shot of some 'roos through my binoculars

Emus and kangaroos together

Jeanine and emus

Seanan was thrilled by the dead kangaroo

We got closer to the emus than the kangaroos

Happy Melbourne Day!

Wed, 01 Sep 2010 04:00:00 -0700

We're having a great time in Melbourne, but haven't blogged because free wi-fi isn't widely available. Today is Melbourne Day, the 175th anniversary of the city's founding. We saw a couple of hot-air balloons from our 28th floor balcony this morning.

The flight to Australia was about as painless as one could hope for. We'd upgraded to business class using miles and got these great lie-flat seats. I slept about 7 hours and spent the rest of the time eating and working on my current YA SF novel (it's not going well, alas). On the first day we managed to keep going until dark and then crashed at 8 or 9, waking up around 6 the next morning, so we're working on approximately Australia time, which is not to say we aren't suffering from jet lag. It's hard to tell the difference between jet lag and fatigue from touristing too hard.

Melbourne in August reminds me a lot of Vancouver in November (though not quite so cold) -- multinational, multilingual, multicultural, and subtly not-American. It's a very civilized place, very walkable and well-supplied with trams, and the tourist info office in Federation Square is top-notch. Many fine cafes and shops and much cool architecture can be found in the chaotic network of "laneways" that fill the spaces between major streets. We also haven't had a bad meal or a bad cup of coffee yet. Given Australia's location it's not surprising that there are a lot of Indonesian, Malaysian, Chinese, and Indian restaurants, also Bangladeshi and Nepalese. Many aspects of the language here strike me as a weird mix of American and British; for example, tickets are one-way and return (American: one-way and round-trip, British: single and return) and the Parliament consists of two houses called the House and the Senate. Australia also has its very own words for many things, such as coffee (a "flat white" is a latte with no foam, a "short black" a shot of espresso, and a "long black" an Americano).

So far we've been touristing around Melbourne's central business district, including the Tim Burton exhibit at the Australia Center for the Moving Image (ACMI). Spending that much time in Tim Burton's head was kind of disturbing. Also very cool at ACMI was their exhibit on the history of film and video in Australia, including some snippets of Skippy the Bush Kangaroo. That kangaroo could do some amazing things, including getting letters out of the mailbox and reading them -- Lassie was a piker by comparison. Also on display: a replica of the Last of the V-8 Interceptors. Yesterday afternoon we took the tram to St. Kilda, a slightly shabby beachfront tourist town featuring keen little amusement park Luna Park. I can't imagine how crowded it would be on a summer Saturday.

Random notes and pics:

My god, the moon really is upside-down here!
Both Sydney and Melbourne from the air are a sea of tight-packed single-family houses, with remarkable uniformity of roof (all hipped, all red-tiled).
All my instincts about "what is that bird" are wrong. Both crows and seagulls look almost the same as back home but sound very different. Pigeons, though, are still pigeons.
Fluffy gray-green eucalypts look like lichen trees on a model railroad layout.
Vegemite spread thin on a toasted English muffin is actually quite nice. Tim Tams cookies also very nice; have not yet tried the apparently traditional "nibble off two opposite corners and suck hot coffee or tea through the Tim Tam" thing.

Gog and Magog in the laneways

This is not the entrance to the Tim Burton exhibit

This is the entrance to Luna Park

An acceptance and a cover

Sun, 22 Aug 2010 21:09:00 -0700

"A Little Song, A Little Dance," a ghost story co-written with Andrine de la Rocha, will appear in charity anthology Breaking Waves: An Anthology for Gulf Coast Relief from Book View Cafe. It will be published very soon but I don't know if it will be an e-book, hardcopy, or both. All the proceeds will go to help victims (people and animals) of the recent Gulf oil spill.

Also, take a gander at the fabulous cover for Wild Cards I, coming in November! Might be the best cover I've ever had.

So much to do before our trip to Australia, but we had a pleasant afternoon hanging out with our friend Nevenah from New Orleans, a nice surprise.

Have I mentioned I won't get a Thursday this week? We depart the US on Wednesday and arrive in Australia, 18 hours later, on Friday. On the other hand, when we come home our flight takes negative 53 minutes.

Preliminary Aussiecon program schedule

Sun, 22 Aug 2010 08:25:00 -0700

The preliminary program schedule for Aussiecon 4 has been posted, and I'm on the following items:

Kaffeeklatsch
David D Levine
Thursday 1700 Room 201 I could do better than that
Whenever a Hollywood science fiction blockbuster enters cinemas, there seems to be a queue of fans lining up to complain how bad it is—and even that they could do better if put in charge of the studios. Here’s your chance: a team of panelists will lead the attempt to generate the better blockbuster: looking at Star Wars Episode I: The Phantom Menace, Avatar and Terminator 3: Rise of the Machines.
Catherynne M. Valente, David D. Levine, Darren Maxwell
Friday 1300 Room 213 Readings
David D Levine, K. A. Bedford
Friday 1700 Room 207 To market: How to sell your short stories
Submitting a story to a journal, anthology or magazine might seem as simple as attaching a Word document to an e-mail and firing it off, but is it? How do you know the appropriate market for your fiction? How much is enough money to be paid for your work? How should you approach an editor? What are the dos and don’ts of getting published in the speculative short fiction marketplace?
Cory Doctorow, Robert Silverberg, David D. Levine, Angela Slatter
Saturday 1100 Room P3 The race to the Red Planet
Ever since the Apollo moon landings, it always seemed Mars was the next target for human space exploration. It’s been 41 years and we still haven’t been there. As the debate over a human mission to Mars continues, we ask the questions: should we go? What is stopping us? What will we need to do, and consider, to make a human mission to the red planet a success?
Kim Stanley Robinson, David D. Levine, James Benford
Sunday 1300 Room P3 Mission to “Mars”
In January 2010, Hugo-winning SF writer David D. Levine spent two weeks at the Mars Desert Research Station, the Mars Society’s simulated Mars base in the Utah desert. Although the Martian conditions were simulated, the science was real, as were the isolation, hostile environment, and problems faced by the six-person crew. Although his official title was Crew Journalist, he soon found himself repairing space suits, helping to keep the habitat running, and having interplanetary adventures he’d never before imagined.
David D. Levine
Sunday 1400 Room P3 The bioethics of terraforming
Let’s say we colonise Mars, and develop the technology to terraform its environment and create a warmer, breathable atmosphere for humans to breathe. Let’s also so that we discover bacterial life on Mars - life that cannot exist if the planet’s atmosphere changes. Do we have a responsibility to leave Mars intact, or simply try to save the bacteria the best we can. What are the bioethics of terraforming worlds?
Kim Stanley Robinson, James Benford, Sam Scheiner, David D. Levine
Monday 1000 Room P1

An everyday future: Including popular culture in science fiction
Most science fiction writers take care to present the broader culture and technology of their fictional futures - but what about the elements many writers forget? What is the media of the future like? What are the sports? A look at the everyday aspects of future life that can bring a science fiction world to life.
Paul Cornell, Gord Sellar, David D. Levine
Monday 1400 Room 219

I'm also listed in the preliminary program on panels The future of gender and sexuality, Music, movies and speculative fiction, The difficult second album: Middle parts of movie trilogies but I've had to drop those due to scheduling conflicts.

Progress, of a sort

Thu, 19 Aug 2010 00:25:00 -0700

I've actually worked on the YA novel for three days in a row, which is a rarity so far this year. Unfortunately, most of today's work consisted of messing with spreadsheets and Wikipedia to work out the calendar and timekeeping system of my fictional Mars settlers rather than any actual, you know, fiction. This is my comfort zone, to which I retreat when the writing itself is not cooperating. Oh well, it's valuable worldbuilding and at least I typed it into my notes file rather than as yet another expository lump in the text which would eventually have had to be either excised or smoothed into the action.